FABRYKA INDUSTRIAL ROCK & METAL ENCYCLOPEDIA

Katarzyna NINa Górnisiewicz | Detailed or mini-review submissions: song, EP/album | Suggest an artist

Lean Back Relax And Watch The World Burn |GMR, 2012|

01. To A Blood Red Sky, 02. We Are The Walking Dead, 03. Vivite Et Sinite Mori (Live & Let Die), 04. War God, 05. Lean Back Relax And Watch The World Burn, 06. The Cage, 07. Let Go, 08. Eighties, 09. What You See Is What You Get, 10. The Blind Leading The Blind, 11. Aim! Hold! Fire!, 12. Time, 13. (untitled)

Man.Machine.Industry comes from Sweden, a metal paradise where many very heavy bands have received international attention. Yet, it's the same land where a black metal music fan received unemployment money for claiming an inability to work due to his addiction to music.
The first and remaining impression is an element of 'straight-forward anger' from the beginning of this album all the way to the end. Although, there are many intriguing melodies to be found as well.

A noisy and perfectly timed industrial intro opens the newest MMI album. It is then followed by 'in your face' rhythms that are based on guitars, bass, drums and angry vocals (performed by Ronnie Nyman and J. Bergman). Fans of guitar driven music will most likely love all the craziness happening in the middle of "To A Blood Red Sky". Darkening atmospheres finish the track, then lead into "We Are The Walking Dead". The song starts innocently with the sound of a music box and kids loudly enjoying their time on a playground. Powerful drums and bass join the tune of the music box which allows it to be flexibly integrated into the composition. Later you'll hear dominant, graduating riffs - a reminiscent aspect most memorable from music by Ministry that is enriched by shouted and repetitive vocals.

A rhythmic melody opens "Vivite Et Sinite Mori (Live & Let Die)" – This Latin to English translation means exactly what is inside the brackets. You'll find a lot of similarities to music from the band PAIN as well as Rammstein here. This is the most danceable song on the album due to pulsing beats, but there's also a great set of guitars that begin at 02:14.

"War God" is one of my favorite tracks on the album. The song sounds raw, heavy and spinning with chunky guitars as well as angry vocals that are truly reminiscent of music by Pantera or Testament.
"Lean Back Relax And Watch The World Burn" (see, MMI likes naming their albums with long titles) sounds more epic than other songs, but also includes some industrial sampling. This track fits into the new wave of industrial metal music due to heavy arrangements, but melodic elements are present as well. In addition, a well thought out compositional structure which is the basis of the song makes it a great match for a soundtrack compilation.

You'll relax a bit with "The Cage" since it is kept in the mood of a metal ballad with similar traits that you may know from i.e. Type O' Negative albums (although with higher vocals). There is also a progressive instrumental segment that is based on a solo guitar combined with well crafted bass lines and drums. This track may be a great way to fill an autumn afternoon because it gives the feeling as if things are irreversibly passing by.

"Let Go" starts with blues and classic rock guitars then grows into a modern metal track. High octave guitar riffs as well as radical dynamics are brought in by drums and bass guitar. These aspects may also call for some associations to The Mission or Killing Joke music. Speaking of these bands, MMI did a cover of an "Eighties" song (released by Killing Joke in 1984) which resulted in bringing even more passion than it had in its original recording thanks to stronger bass lines and heavier guitar riffs. Having this opportunity, the band also invited Corroded's vocalist Jens Westin to do vocals. His voice sounds recognizable - utterly rebellious, harsh and sharp as razor. This cover has been followed by a dynamic video that is available on YouTube.

A collaboration of drums, guitars and vocals are key features on this album. It seems like the long term members of MMI have learned a lot from their past experiences and have improved their musical skills with each new release. If you compare their debut next to their newest album, you'll hear what I'm talking about. Thomas Manell (Drums) played an important role on Lean Back Relax And Watch The World. You could easily vote him to be one of the best metal drummers of 2012. The band also has a second drummer named Bennich who helped the band reach out towards a much more dynamic, rhythmic sound in songs such as "Vivite Et Sinite Mori (Live & Let Die)" as was mentioned above along with "What You See Is What You Get".

This album offers a variety of solid heavy metal flavors that range from thrash to industrial. "What You See Is What You Get" is another heavy, but melodic track that was possibly inspired by the sound of the Swedish band PAIN, who is known for their death metal roots (Hypocrisy) and funny, ironic videos. This wouldn't be a big surprise, however a logical step would be if Peter Tägtgren collaborated with MMI on their next album or at least toured together.

The last three vocalized songs bring an eruption of pure hot lava right onto your face. First of all, there's a short and tight song entitled "The Blind Leading The Blind". It starts quite innocently with melodic verses, but it'll suck you dry with a wall of guitars as they occur in the middle of the song.
Secondly, the power of "Aim! Hold! Fire!" may be compared to "The Last Sucker" album by Ministry when held in contrast to riffs played extremely hard and heavy by Car Crash Jim and J. Bergman. You can also hear some references to the music of The Union Underground and Powerman 5000 due to heavy bass lines and J. Bergman's method of singing in some segments of the song. This is an amazing track and should be played during the most meaningful moment of a live performance. Headbanging is guaranteed.
Finally, "Time" comes in with the sound of a ticking clock that is combined with industrial effects. This concept has an overall powerful impact on the listener. The song is all about dynamics, so listening to the track feels like sitting on a rocket right before launch. A video would be a good idea for this song.

The ticking of the clock becomes the focus point of the last untitled composition on this album. In fact, it plays the role of a metronome. This is also a big moment for Lady M and her absolutely beautiful accent when she declaims poetry with a cold and sweet Swedish voice. When you hear a woman speaking like this, you can easily imagine a Snow Queen standing on a blinding white field with snow flakes in her hair or a slim cyborg girl telling you a story about the last age on a long lost Earth from a spaceship communication room.

There has been a lot of excitement during the recording process of this album as the band reported on a weekly basis to their social profiles. Thirteen heavy songs have been released with passion on this record, which is always expected when it comes not only from the confines of the metal genres, but from any music at all. There's a trick about this album though. When you think you've already picked a favorite track, the chance is great that you will spot another song just as dynamic to enjoy during subsequent playbacks of the album. This is a very mature release where everything matches quite well – the best Man.Machine.Industry album to date.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Magazine, October 17th, 2012. Proofreading: Scott M. Owens)

White Trash Devil In A Jesus Christ Pose |GMR, 2010|

01. Who I Am Is How I Kill, 02. The Hunt, 03. At The End Of The Tunnel, 04. Knuckle Duster, 05. Almost Gone, 06. Broken Bones & Twisted Minds, 07. Running Free, 08. Hell, Sinners & Demons Awaits, 09. Make The World Sleep The Sleep, 10. Why Heroes Fade Away, 11. To Face The Dirt From Below, 12. As In Life...As In Death, 13. The Rise & Fall Of The Insane

It seems that Man.Machine.Industry has anchored itself into an industrial metal style of music with this new album. The band has always been staying in close proximity to metal music (they come from a cradle of all heavy European music genres – Sweden) and their songs have remained aggressive, but have many industrial touches as well. Fortunately, they have more imagination than redundant marching beats. The arrangements were not mindlessly formed into a slaughterhouse of butchered loops and grind in the manner found all too often when it comes to thrash, black metal or death metal styles, but were clearly divided into intelligible verses and choruses.

A few bands came to mind while listening to this album, some of which M.M.I. probably found inspiration through when they were recording the album. There are traces of Ministry ("Who I Am Is How I Kill", "The Hunt"), Prong ("Broken Bones & Twisted Minds", "As In Life...As In Death"), Killing Joke ("At The End Of The Tunnel"), and Misery Loves Co. ("Knuckle Duster", "Hell, Sinners & Demons Await"). They seem to be utilizing sounds similar to a lot of other music I have been exposed to. I believe death metal and grind core music fans might find other familiarities within the tunes, however M.M.I. has a musical style and sound very much their own.

The groups rhythm section (Nail on bass and DNA on drums) cooperates very well with J. Bergman’s guitar riffs and his violent vocals which fill very tightly into the structure of the songs.
There is also an interesting accent of Misery Loves Co. as lead singer Patrik Wirén has a guest appearance on the album, doing vocals on the track "Almost Gone". Those of you who have already heard the music of MLCo.would know what characteristic vocals he has to offer.
Other guests on the album include Gustav Jorde (Defleshed/Valley of the Dead), Misha Sedini (Come Sleep/Lingua), Ken Stone (The Knockouts) and an underground poet and novelist by the name of Lady M.

To sum it up, the music on the album doesn’t need a long description so I’ll stop here, but I think the information noted above is enough to illustrate the album content.

(Katarzyna 'NINa' Górnisiewicz, 07/08/2010. Proofreading: Scott M. Owens. Must not be used for promotional or commercial purposes. See a Legal Note for the copyrights below)

Man.Machine.Industry (CDR promo) |Ilumnirec, 2005|

The Hunt, Why Heroes Fade Away, Who I Am is How I Kill, The Hell And Back (video), Hard Core Criminal (video)

The band Man.Machine.Industry come from Sweden and little birds sing about their track to appear in a new Playstation3 game called The Darkness. The game will host both The Hunt and The Hell And Back in a special TV/video screen inside of the game.

Musically they are between industrial metal and... metal. Sweden as a land where most of the best black and death metal bands come from might have an impact on MMI, although their music includes more heavy American music influences. My favorite track of the promo it's "Who I Am Is How I Kill" with tight guitar riffs, not that much pushy drums and dynamics to be compared with Rob Zombie's or Ministry vibes. "The Hunt" track with its wall of layered guitars and choruses remind me some of songs by Peter Tägtgren, both Hypocrisy and PAIN leader. The promo is supported by the two very well produced videos.

The songs give me the first outlook for MMI style and eventual directions where they would be heading towards considering the first full debut album to be released this summer (2007).

(Katarzyna 'NINa' Górnisiewicz, 2007. Must not be used for promotional or commercial purposes. See a Legal Note for the copyrights below)