FABRYKA INDUSTRIAL ROCK & METAL ENCYCLOPEDIA

Katarzyna Draconina Górnisiewicz | Detailed or mini-review submissions: song, EP/album | Suggest an artist

Spookshow Inc. - Visions of the Blinded World pt. I & II |self-released, 2018|

Part 1: 1. New World Crash, 2. Scary Dream, 3. Falling Down pt. 2, 4. Game of Delusions, 5. Requiem For a Vision, 6. Seven Trumpets, 7. Dead Shot Baby feat. Subliminal Mentality, 8. Lizard Eyes, 9. My Secret Plan feat. Matangi Shakti, 10. Cyberage, 11. Map Of The World, 12. Other Side Of Time

Part 2: 13. Virtual Insanity, 14. Devil's Triangle, 15. Mindgame feat. XRC, 16. Little Pill feat. Subliminal Mentality, 17. Blackbird from Karachi feat. D. Tschirner, 18. Prison Planet, 19. Falling Down pt. 1, 20. Cold Frantic Boy, 21. Match of the Century / A. Crowley vs. A. Einstein, 22. Underworld feat. Kissing in Graveyards, 23. Midnight Tango, 24. Follow Me, 25. Battle for Babylon feat. R. Carey

Spookshow Inc.'s newest album tracklist impressively counts up to a total of 25 industrial and electronic songs, with some familiar titles included. The mighty set created by Lucky Spook (the band's founder, based in Norway) includes "Falling Down pt. 2" which was developed further into a brand new track (a pre-sequel if you will). In addition, the new front cover definitely draws attention since it's a thought-provoking, surreal art piece in sepia.

"Virtual Insanity" offers a lot of craziness. It merges the density of guitar riffs supported by fast-paced beats with aggressively expressed lyrics. The dynamics slow down at some point to avoid an overload of sounds, but then the wild sonic ride returns.
Similarly, "Mindgame" offers exotic tunes in the beginning, but then an intriguing industrial rock vibe comes in. The tempo is slow but highly pitched soloing guitars contrast with low beats and make the whole into a delicious listening experience.

"Little Pill" talks about a fantasized psychedelic experience caused by taking a drug delivered by a dealer. The initial dialogue to the story was recorded in collaboration with Subliminal Mentality, an American musician. It's delivered through a comedy or even a cartoon concept – a guy receives a pill, feels something is not right but takes it anyway, then is off tripping into a dreamland. The track soon evolves into an angry, metal, and serious composition which gives an impression of being inspired by early albums of Marilyn Manson.

Despite its soothing intro, "Blackbird from Karachi" evolves into a lively, dynamic track, driven by its repetitive guitar riff. Two vocals placed in fitting places help the whole composition flow very smoothly. The beat is later replaced by bells, chants, and esoteric moods. These are then followed by a completely opposite, dynamic vibe. It turns out in the end that the composition is cleverly split into four major arrangements without any in-between breaks. According to Lucky Spook, the track is inspired and dedicated to Shantaram, the book written by Gregory David Roberts.
"Devil's Triangle" is kept in a similar atmosphere, but rooted in a purely rock-metal vibe, and enriched with matching vocals. The composition is well designed to hold all accompanied arrangements tightly within.

As mentioned in the beginning, "Falling Down pt. 1" is a sister track to "Falling Down pt. II" which was featured on the first part of the album, and again takes a listener on the mystical journey of out of body (OBE, near death) experience. It's a very trippy track with steady, bouncing dynamics - at once intriguing with its variety of electronic sounds and whispered vocals in vein of The Young Gods' music, then suddenly aggressive, guitar driven with screamed vocals. A must-have song from this release!

Pay attention to "Match of the Century Aleister Crowley vs. Albert Einstein" which begins with the tiny sound of a music box and creepy, whispering vocals. How awesome would it be to see the two famous characters play chess together? Every piece could represent an argument of a different nature – science against esotericism. Who wins? Could the two men find a common, agreeable ground for their thoughts? Musically, there's a repetitive guitar riff involved with many background sounds and interlaced with vocals. These continue throughout the entire song with breaks for a catchy chorus.

When it comes to "Underworld feat. Kissing in Graveyards", its mostly electronic yet guitar-driven vibe is accented with a broad selection of vocals. Kissing in Graveyards' lead singer Rylan Chaos brings her Lilith-like artistic personality here while Soltex (the other moniker of Lucky Spook) represents provocative masculine energy. When Rylan's voice is the bait, then Soltex's is the whip. The result is a musical dialogue not too far from an argument between two 'possessed' souls, rather than two talented musicians.

"Midnight Tango" utilizes a very famous arrangement borrowed from "Riders of the Storm" by The Doors. Similarly to the source track, "Midnight Tango" also allows the mind to tune in and relax, to flow together with arrangements and the mood. Spookshow Inc. however added drum'n'bass beats which couldn't have been used by musicians in the 60s and which make the song sound fresh.

In terms of composition, "Follow me" sounds quite complex and consists of a few differently sounding parts yet they easily make for a perfect whole. Exotic music opens the track, followed by chunky, repetitive guitar riffs and whispered vocals. The Middle Eastern sounds return to be replaced with a black-metallish cannonade of sounds and dominating vocals. The atmosphere gets more tense and anxious towards the end of the track.

Probably the biggest jewel on the album,"Battle For Babylon", is a cinematic song supported by an epic atmosphere. Middle Eastern tunes are mixed with metal soloing here. The composition is well thought and gradually builds up. The rhythm is slow and verses become memorable after just a moment of listening. It is a fully orchestrated track accompanied by many different yet matching sounds which show up in the background and make the composition even more interesting. The vocals are definitely fitting the rest of the track (and they are performed by R. Carey aka Fiery Jack, a singer from New Zealand).

The album clearly shows lots of hard work and deeply developed ideas that went into making it. The release comes with amazing audio quality, showcasing mastering and production skills as well. It's obvious that Lucky Spook listens to a lot of music, and is able to catch the best of the best musical ideas without copying them directly, to later enhance them with his own arrangements. If you buy this album, you'll get a complete package of music, high audio quality, and profound sonic ideas to recommend to your like-minded mates.

(Reviewer: Katarzyna 'Draconina' Górnisiewicz, Fabryka Industrial Rock & Metal Encyclopedia, December 3rd, 2018. Proofreading: Mike 'Vesper' Dziewoński)

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Katarzyna Draconina Górnisiewicz | Detailed or mini-review submissions: song, EP/album | Suggest an artist

Spookshow inc. feat. Kissing In Graveyards - Underworld (song review) |self-released, 2015|

Spookshow inc., as the band’s name may already indicate, loves making tense music. Their tracks on Visions of The Blinded World (pt. 1) proved this, but their most recent collaboration with Kissing in Graveyards - a spooky match made in a morgue, most likely, brings forth a real scare too.

This mostly electronic yet guitar-driven song is accented with a broad selection of vocals - once tempting and seductive, then screaming. Kissing in Graveyards' lead singer Rylan Chaos brings her Lilith-like artistic personality here while Soltex represents provocative masculine energy. When Rylan's voice is the bait, then Soltex's is the whip. The result is a musical dialogue not too far from an argument between two 'possessed' souls, rather than two talented musicians.

When it comes to instrumentation, the chunky guitar riffs are looped and kept in vein of industrial rock music as popularised by KMFDM - but you will hear a bit of soloing, too. The drum beats are enjoyable as they bring the right depth and density. The bass sounds a bit muddy, but it’s the drums that drive the tempo and overall dynamics here. With the addition of modern electronica skilfully provided through synths and samples, the song may be enjoyed by fans of other music genres too.

"Underworld" is a good opportunity to be prepared for the Visions of The Blinded World (pt. 2) album that should be coming later this year.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Music Magazine, April 12th, 2015. Proofreading: Mike 'Vesper' Dziewoński)

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Katarzyna NINa Górnisiewicz | Detailed or mini-review submissions: song, EP/album | Suggest an artist

Spookshow inc. - random songs review |self-released, Visions of The Blinded World (pt. 1), 2013|

Scary Dream, Falling Down pt. 2, Cyberage

Born and raised in Lithuania but making music in UK and Norway, Lucky Spook (guitar, programming, songwriting and production) released the Visions of The Blinded World (pt. 1) album in late 2013, even though the majority of the material on the album was written 10 years ago. His inspirations come from a diverse host of bands such as Pink Floyd, Paradise Lost, Rob Zombie, KMFDM, Skinny Puppy and Nine Inch Nails mixed with modern beats made famous by Prodigy or Chemical Brothers. He can still recall that Pink Floyd and KISS were on the list of dangerous and unwanted Western culture products, as he found out at school in his Soviet homeland back then. Motivated to rebel and equipped with a guitar, he began playing with fire soon after.
The album is available as a digital download and a limited edition CD with the same 10 songs available through both channels. This review covers only three of them.

"Scary Dream" is one of the opening tracks and refers to a phenomena of dreaming, its symbolism and hidden meanings. In the lyrics, the author speaks of an oniric encounter with animals such as snakes, unicorns, and dogs. These stand for either the author's or the society's primitive instincts related to magic, which he needs to face himself.
As for the music, it is a rhythmic track. Because the lyrics are relatively short, the leitmotif is rooted rather in the repetitive instrumental parts than vocals. The leading guitar riff is altered, looped and mixed with tunes typical of Prodigy or Sonic Mayhem songs. Arrangements are wisely thought out and include a fair share of dynamics but also silent spots. "Scary Dream" sounds suitable for an action video game.

"Falling Down pt. 2" is a slightly darker track, where guitar riffs are mixed with electronica and sampling. The screamed vocals have a touch of added processing, as much as you would spot in an average coldwave track. In addition, they are mixed with a variety of well-matched sounds, which place them in a lively surrounding. It's a highly memorable track thanks to the rhythm, repetitions, female whispers, and the high-pitched guitar leitmotif. If you like White Zombie or Rob Zombie's solo work, this may be your favorite song of the three.
The track is short just like its dark lyrics are. They seem to relate to OBE (out of body experiences) that take place when a dreamer or someone meditating feel their spirit leave their physical body and traverse through space. In this case, the dreamer seems to be a fan of an access-all-areas with evil intent.

Finally, "Cyberage" speaks of a person born in an age of no peace, only fear and hatred leading to war and isolation. But there's the Internet, a cybernetic child that almost everybody adopted and got addicted to through video games, dating, trolling, gathering information or stealing copyrighted materials. Moreover, the fear of privacy abuse keeps haunting about, even though a lot of people leave open traces of their own on-line activities.
Sonically, the song resembles Prodigy with its single high-pitched guitar riff, but also KMFDM or Sister Machine Gun thanks to the minimally exposed, whispered or processed vocals. There's a nice groovy line based on beats placed between the lower and higher end of the spectrum. Both the beginning and the end of the track sound very intriguing and pleasantly attractive. The track could be a great way of getting the listeners interested in hearing more from Spookshow inc.

These are songs of high quality in terms of mastering and production - an additional advantage aside of their dynamic musical themes. It's also worth mentioning that Lucky Spook along with his friend Soltex and additionally hired musicians supported The Legendary Pink Dots live in 2005.
Hopefully, you'll check out the remaining 7 songs on Visions of The Blinded World (pt. 1) and will look forward to the release date news for the 2nd part of this album.

(Katarzyna 'NINa' Górnisiewicz, Fabryka Magazine, May 26th, 2014. Proofreading: Mike 'Vesper' Dziewoński)